© Robin S Stevens 2017
Dr Samuel McBurney (1847-1909) - Music Educator, Composer
and Tonic Sol-fa Advocate
English, geography and music theory and began his crusade to propagate the method in music education. In
1878 he founded the Victorian Tonic Sol-fa Association and in 1883 organized its first Intercolonial Conference
at Geelong. From 1884 he began publishing articles on teaching the system in the Australasian Schoolmaster
and writing letters to the press in an attempt to persuade the Education Department to recognize the method.
In 1887 he toured the eastern colonies of Australia, conducting lecture-demonstrations and forming
associations in New South Wales and Queensland. He also collected material on colonial peculiarities for Dr
A. J. Ellis, On Early English Pronunciation, pt 5 (London, 1889). McBurney and his wife continued their lecture
tour in New Zealand and North America, and then returned to England. To demonstrate the advantages of the
system, McBurney passed the Mus. Bac.n and Mus. Doc.examinations at the University of Dublin (1890). The
next year he was elected a fellow of the Tonic Sol-fa College, London (F.T.S.C.).
On his return to Victoria in 1891 McBurney was given a temporary appointment as inspector of music with the
Education Department and continued his advocacy of the system by giving lectures, offering postal courses
and holding Tonic Sol-fa Summer Schools. Victoria's worsening economic situation led to retrenchments and
McBurney's post in the Education Department was among those abolished. In 1894 with his wife he opened a
Ladies' College at St Kilda and also began teaching music based on the Tonic Sol-fa system at the Blind
Institute, St Kilda Road, using a Braille raised-type notation which he had devised. In 1898 he was appointed
an examiner in the University of Melbourne (Mus. Doc., ad eund., 1901). In 1902 he was appointed to the staff
of the University Conservatorium of Music as teacher of sight singing and ear training.
McBurney was a prominent figure in education as scholar, teacher and author of many articles and books. He
was widely travelled and interested in languages and dialects, serving for a time as secretary of the Esperanto
Society in Melbourne. His compositions, although few and chiefly choral, include cantatas, part-songs and
Australian patriotic songs. Aged 62 he died on 9 December 1909 at Melbourne, survived by his wife.
Source: Robin S. Stevens, 'McBurney, Samuel (1847–1909)', Australian Dictionary of Biography, National Centre of Biography, Australian
National University, http://adb.anu.edu.au/biography/mcburney-samuel-4064/text6479, published first in hardcopy 1974, accessed online 31
July 2017.
Samuel McBurney (1847-1909), educationist and music
teacher, was born on 30 April 1847 in Glasgow, Scotland,
eldest of the five children of Isaiah McBurney, LL.D., and his
wife Margaret, née Bonnar. His father was classics master
at Glasgow Academy and later principal of a school at
Douglas, Isle of Man; he published a work on Ovid in 1854
and was co-editor of the Cyclopaedia of Universal History
(London, 1855); he went to Victoria about 1881 and died
there on 5 July 1896.
Samuel's early education included musical training through
the Tonic Sol-fa method. In 1864-66 he attended the
University of Glasgow, becoming a prizeman in humanities.
He migrated to Victoria in 1870 and taught classics and
mathematics at schools in Kyneton, South Melbourne and
Sale. He moved to Portland in 1875 and returned to
England in 1876, intending to enter the Order of Benedicts,
but a year later married Marie Louise Accleston. After a visit
to Germany he returned to London to specialize in the Tonic
Sol-fa method of teaching music, passing all examinations
of the Tonic Sol-fa College, London, and becoming a friend
of the founder, John Curwen (1816-1880).
McBurney returned to Victoria where in 1877 he was
appointed principal of a Ladies' College in Geelong. During
almost a decade at the college he was an active member of
the local 'Shakspere' Society, he published textbooks on
Portrait by Eden Studios, Melbourne, c. 1900